I’ve been working in North America for most of January (Washington DC, New York and Vancouver to be exact) doing a variety of things – attending a conference, meetings and fieldwork. A few weeks away means a fairly substantive travel carry. Here’s what’s in my pencilcase for this chilly trip.
Spring has been a long time coming in London and in some ways I feel like we missed it! We went from grey, squally and chilly to bright, sunny and hot. Still though, I’ve been celebrating spring through four new ink choices that I’ve been bringing into rotation since the beginning of April.
As I mentioned in my Stationery-Related New Year’s Resolutions post, in 2017 I will be using seasonal shades of ink in my fountain pens to encourage me to use my ink pens more, to make better use of the inks in my collection and to bring through the seasons within my journaling and notetaking. Today I am sharing my winter inks and their fountain pen pairings that will see me through until the end of February.
Blue inks used to remind me of school work; a really watery, wishy-washy, slushy, “I stand for nothing” kind of blue splashed across every exercise book of every lesson. I think I’d tarnished all blue inks with this association, so over the last year or so, I decided to give blue another chance. I’m showing you five of my blues today, and sharing a few similar inks to invest in next.
I most enjoy writing with pens that produce a fine line. My writing is fairly small and I need a fine line to help make the letters stand out. When I have a choice of fountain pen nibs I always choose fine or extra fine and I generally don’t buy any ballpoint, rollerball, gel pen, hybrid etc with any wider a line than 0.5mm. I find the sweet spot for my handwriting to be around 0.4mm. Equally I have tried 0.2mms and 0.25mm and find that the cons of fine line pens are more noticeable when you go much below 0.4mm, such as ink skipping and resistance or scratchiness on the page. I find fine pens to be such a versatile part of my toolbox. I use them mostly for writing and jotting but I find I often reach for them to sketch and shade, outline and add accents to brush lettering or calligraphy.
So in the spirit of not having done a pen review for a little while I thought I would review three 0.4mms in my arsenal. These are the Pilot G-Tec-C4, Muji Erasable Pen 0.4 and the Uni Jetstream SXN-150-38 (which is actually a 0.38mm). The title of the post says <0.4mms and I have it on good authority that this means less than 0.4mm. My year 3 maths is a little rusty.
What, you ask, makes a successful 0.4mm pen for me?
No skipping. Fountain pens or felt tips may have a fine nib but are able to compensate for this through ink flow. 0.4mms need to produce a consistent line without any wetness of ink flow (which is why many use polymer inks I imagine). I hate it when 0.4mms skip and I need to go back and refill sections of words; it’s really obvious where you’ve retraced letters.
Saturated ink. Again, other pens with a fine nib benefit from interchangeable choices of ink brands, the saturation of which are down to your preference. Often 0.4mms don’t have the flexibility to allow changing ink brands as refills are standardised. So I think it’s really important that whatever colour you’ve chosen produces that colour effectively on the page.
Every touch of the pen on the page has to leave a mark. Dotted i’s and full stops for example need to be made clear on the first touch of the pen. The alternative to this is having to draw a little scribble every time you need to make a dot. NOT acceptable as I’m sure you’ll agree.
I’ve tested all of these pens out in my Field Notes Shenandoah edition. Normally I would use a Rhodia pad or one of my notebooks with better quality paper inside, but Field Notes work great with fine line rollerballs, gel pens and ballpoints and I’d normally reach for a pocket notebook when I’m using one of these pens; they’re being tested in their natural environment.
Pilot G-Tec-C4: Black
This is a readily available rollerball pen with a needlepoint that you can pick up online or in stationery shops including Paperchase for about £2.50. There is a much wider range of colours available than when I first started using these pens and I’ve tried the purple version too. I really like the simplicity and solidness of the pen’s build and design, although I would say that when writing with it for a long time that the inside of my middle finger can get a bit sore because of the grip pattern. There aren’t any obvious design accents on the pen apart from a Pilot stamp on the barrel (I find this can collect dirt around it! Does anyone else find this?). The pen is really lightweight and this makes it very easy to use posted, which I almost always do. I find the length of the pen unposted slightly short.
This pen sticks in my pencil case pretty much all the time and I find it writes well on the variety of paper that I come across. It meets my key criteria of consistency, blackness and laying down ink even with the slightest touch. I find I don’t need to apply much pressure at all to achieve the line I want. If anything lightening the pressure I usually use has achieved the smoothest line.
Muji Erasable Pen 0.4
I picked this up on a whim while I was waiting to meet some friends near Tottenham Court Road. There’s a Muji shop not too far away and I had a nose around while I had some time to kill. I like using Muji’s hexagonal twin pens at work and needed to replenish so I thought I would give this pen a go at a cost of £2.50.
Sadly I feel it is £2.50 wasted. When you can spend the same amount of money on the Pilot G-Tec-C4, the Uni or even spend a little bit more to get a fineliner drawing pen such as the edding 1800 profipen, there really isn’t any need to have this in your toolbox.
The pros of this pen are that it looks fairly smart, has a needlepoint like the Pilot and has the trademark Muji label which covers most of the barrel. The eraser is well-integrated into the pen lid and the pen posts well. The ink is more of a grey (and not even a very dark one at that) which I find off-putting and I find to achieve a definite line I need to slow down my writing pace and apply more pressure than I usually would when writing. Dotting I’s for example just doesn’t happen with this pen. It won’t produce ink for such a tiny dot. There’s just not a clear smoothness to the ink on the paper. Also compared to the Uni and Pilot it feels broader than a 0.4mm. Perhaps the ink spreads slightly more on the page.
The erasable ink is interesting. I’d never used it before – it’s novel and I admit it can be useful to avoid blemishing pieces of writing. However I’ve realised I don’t really use fine line pens to produce pieces of writing to share or to display in any way, I’ll generally reach for a fountain pen in that situation or make sure I’m using a pencil to draft. I use them for note taking, brainstorming, making lists, drawing map sketches; generally all uses that relate to my work or to everyday usage, and I don’t feel that erasable ink is necessary for these purposes. A little bit of scribbling out all adds to the authenticity of writing things on the go and trying to keep up with your thoughts. I’ve never felt like not being able to erase ink is a shortcoming of any pen I’ve used. If this is important to you though, admittedly it does erase well, although it does leave an imprint on the paper if you use heavy pressure to write. Apparently the ink can be erased because of the heat and friction caused by the built-in eraser, and if you put it in the freezer the ink will reappear! I haven’t tried this but I’d love for you to let me know if you have!
Uni Jetstream SXN-150-38
Unlike the other two pens we’ve discussed this pen is a retractable which is handy for the situations in which I use fineliners. This pen probably feels the least solid, which is often the case with retractable because you’ve got internal parts which are looser than a lidded pen. Also the overall build quality just looks slightly less professional than the Pilot and the Muji (could be partly down to my choice of the baby pink body… although to be fair all the shades in JP Books on the day were pastel shades!).
For those very inconsiderable shortcomings though I think this is my favourite of the lot, but it is a very close one when pipped against the Pilot. It’s smooth, lightweight, compact, simple, the ink is nicely black, dries basically on contact and I don’t think the line has ever skipped when I’m writing with it. I picked this pen up for £2 and I use it all the time. Performance wise it is quite similar to the Pilot, and I think the two key differences between the Pilot and the Uni Jetstream are that the Uni has a slightly wider barrel with its rubber grip which feels more comfortable to write with for a longer amount of time, and the Uni feels more balanced between a ballpoint and a gel pen than the Pilot.
I always have the Pilot G-Tec-C4 and the Uni in my daily toolbox. They’re both high-performing, easy to use, affordable and fulfil my essential criteria of super-blackness and line consistency. Unless you’re really feeling the lack of being able to erase your writing (in which case I would recommend you buy a pencil…) what more could you ask for?
I have been reducing my expenditure slightly on stationery over the last couple of months. I should say that this doesn’t mean the quantity of stationery I have acquired has reduced. The truism “quality over quantity” has probably sprung to your mind, but one of the best aspects of this particular passion of mine is that great, unique and usable stationery comes in all shapes and sizes, for all prices.
One piece of stationery that I love and have decided I can’t live without? Washi tape. Perhaps to some, these decorative tapes appear relatively useless. But since incorporating them into my various written pursuits, I find I can’t get enough of the stuff. Using washi tapes can add instant luxe appeal to the most drab of Paperchase sale cards. It adds splashes of colour to darkly-coloured notebooks and boring office-cupboard plastic wallets. It can be used as page markers or bookmarks. Borders, lines, boxes in a scrapbook. I am a bit obsessed. I have about 20 different washi tapes and I chop and change these in my daily collection just like my pencils and pens.
Much of September’s stationery I bought in person and on a singular occasion. I went for the most wonderful walk in Bloomsbury recently. It’s amazing what you see when you’re actually looking for it. The British Museum is very famous for its wonderful collection of Greek antiquities, and while I nosed around museums all over Greece recently it’s noticeable how many pieces of Greek art and history are actually on loan from the British Museum… to Greece! On taking a stroll past the British Museum I noticed for the first time that many of the shops nearby have a Greek theme. That would have never caught my eye before my recent holiday. Anyway, my reason for being in the area in the first place and the eventual moral of this story is that Bloomsbury has the most fantastic aura of bookishness and literacy about it. Over the course of about four hours I strolled around with a coffee (Holborn Grind, delicious) stopping off at various independent bookstores and stationers. Best day ever.
One of my first stops was Blade Rubber Stamps. This is a shop devoted to, well, rubber stamps. I love using rubber stamps and often incorporate them into notes and letters. I’ve been lusting after a date stamp for some time, having been patiently waiting for this cute little one (number 11) to come back into stock at one of my favourite stationers’ Present & Correct. Blade Rubber Stamps has a vast range of products; seasonal motifs, short messages in vintage style type, floral designs, black cabs… you name it, it’s on a stamp. They had a great selection suitable for letter-writing, and I was particularly drawn to a tiny snail stamp (as in “snail mail”). But then I found this beauty. So far the quality of the stamp seems excellent; it produces a lovely and extremely fine colonial font. I’ve been inking it up with my Lion stamp pad as the ink comes out brilliantly black. Gorgeous isn’t it?
Onto some of my paper and ink acquisitions over the last month. I purchased a couple of my new washi tapes from Volte Face on Great Ormond Street, and the rest I picked up at another of my favourite stationers’ – JP Books in Soho. JP Books specialises in Japanese products and the display of books and magazines (predominantly in Japanese) fascinates me. Oh the hours I’ve spent in here. It’s ironic because the stationery collection isn’t vast, but they stock products that I just haven’t come across anywhere else. All that testing and handling and reading takes time. First and foremost I bought myself a Tsubame Cream notebook. I have read reviews of the Tsubame Fools range of notebooks online and I know that they are well respected for their bleed resistant, watermarked paper. On opening this notebook you are confronted with the creamiest of papers. The cover is soft-bound and has a leathery effect to it, and there is a great, very lightly woven linen-style binding on the spine. I’ll update on this when I get stuck into using it properly. Oh and I’m too nervous to write my name on the cover. I don’t want to ruin the look and feel of it by scrawling my name on the front yet!
My other two purchases are disposable pens and came at a snip. These are the Pilot Uniball Signo RT1 in blue black (0.38mm) and a Kuretake brush pen. While I love a good fountain pen I do have a special place in my heart for fine gel pens. The Pilot RT1 is a very smooth pen to write with and I really like the blue black tone. While it’s not going to win prizes with me for uniqueness, it’s a worthwhile everyday pen and I’ve been using it consistently at work ever since I added it to my weekly collection at the expense of all my other pens, which is actually quite an accolade considering how much thought I put into said weekly collection. The image at the top of this post is a sample of how the RT1 writes, very occasionally I have an issue with the ink skipping (as you can see on the word “mean”) but overall the ink is consistent. I’ve only doodled and jotted with the Kuretake brush pen so far. I’m actually attending a brush lettering workshop later this month for which I’m hugely excited. I’m planning to keep it safe to use and practice with after I’ve picked up some tips and tricks to produce beautiful brush calligraphy!
On my walk I stumbled across Persephone Books on Lamb’s Conduit Street. Persephone Books is predominantly a publishing house with a bookshop attached, specialising in female writers particularly from the early 20th century. I couldn’t walk out of this shop empty-handed. This book, “Someone at a Distance” by Dorothy Whipple, was recommended to me as featuring a meaty plot and having a very literary style of writing compared to some of the more light-hearted books on offer. I proudly walked out with this under my arm and I’m about to start reading once I finish the current book I’m on (“Confessions of a Sociopath” by M.E.Thomas). I’m looking forward to it because it seems to be different to my usual fictional choices which have recently included “The Goldfinch” by Donna Tartt, “The Unlikely Pilgrimage of Harold Fry” by Rachel Joyce, “A Tale for the Time Being” by Ruth Ozens, “I Know Why The Caged Bird Sings” by Maya Angelou and “A Song for Issy Bradley” by Carys Bray). Persephone Books deserves its own blog post though and I’m popping back soon to meet the staff at Persephone Books to learn more about their publishing style, book selections and future editions.
Have you used any of these products? I’d be delighted to hear your reviews.