September Stationery and Bookish Bloomsbury

I have been reducing my expenditure slightly on stationery over the last couple of months. I should say that this doesn’t mean the quantity of stationery I have acquired has reduced. The truism “quality over quantity” has probably sprung to your mind, but one of the best aspects of this particular passion of mine is that great, unique and usable stationery comes in all shapes and sizes, for all prices.

One piece of stationery that I love and have decided I can’t live without? Washi tape. Perhaps to some, these decorative tapes appear relatively useless. But since incorporating them into my various written pursuits, I find I can’t get enough of the stuff. Using washi tapes can add instant luxe appeal to the most drab of Paperchase sale cards. It adds splashes of colour to darkly-coloured notebooks and boring office-cupboard plastic wallets. It can be used as page markers or bookmarks. Borders, lines, boxes in a scrapbook. I am a bit obsessed. I have about 20 different washi tapes and I chop and change these in my daily collection just like my pencils and pens.

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Much of September’s stationery I bought in person and on a singular occasion. I went for the most wonderful walk in Bloomsbury recently. It’s amazing what you see when you’re actually looking for it. The British Museum is very famous for its wonderful collection of Greek antiquities, and while I nosed around museums all over Greece recently it’s noticeable how many pieces of Greek art and history are actually on loan from the British Museum… to Greece! On taking a stroll past the British Museum I noticed for the first time that many of the shops nearby have a Greek theme. That would have never caught my eye before my recent holiday. Anyway, my reason for being in the area in the first place and the eventual moral of this story is that Bloomsbury has the most fantastic aura of bookishness and literacy about it. Over the course of about four hours I strolled around with a coffee (Holborn Grind, delicious) stopping off at various independent bookstores and stationers. Best day ever.

One of my first stops was Blade Rubber Stamps. This is a shop devoted to, well, rubber stamps. I love using rubber stamps and often incorporate them into notes and letters. I’ve been lusting after a date stamp for some time, having been patiently waiting for this cute little one (number 11) to come back into stock at one of my favourite stationers’ Present & Correct. Blade Rubber Stamps has a vast range of products; seasonal motifs, short messages in vintage style type, floral designs, black cabs… you name it, it’s on a stamp. They had a great selection suitable for letter-writing, and I was particularly drawn to a tiny snail stamp (as in “snail mail”). But then I found this beauty. So far the quality of the stamp seems excellent; it produces a lovely and extremely fine colonial font. I’ve been inking it up with my Lion stamp pad as the ink comes out brilliantly black. Gorgeous isn’t it?

Onto some of my paper and ink acquisitions over the last month. I purchased a couple of my new washi tapes from Volte Face on Great Ormond Street, and the rest I picked up at another of my favourite stationers’ – JP Books in Soho. JP Books specialises in Japanese products and the display of books and magazines (predominantly in Japanese) fascinates me. Oh the hours I’ve spent in here. It’s ironic because the stationery collection isn’t vast, but they stock products that I just haven’t come across anywhere else. All that testing and handling and reading takes time. First and foremost I bought myself a Tsubame Cream notebook. I have read reviews of the Tsubame Fools range of notebooks online and I know that they are well respected for their bleed resistant, watermarked paper. On opening this notebook you are confronted with the creamiest of papers. The cover is soft-bound and has a leathery effect to it, and there is a great, very lightly woven linen-style binding on the spine.  I’ll update on this when I get stuck into using it properly. Oh and I’m too nervous to write my name on the cover. I don’t want to ruin the look and feel of it by scrawling my name on the front yet!

My other two purchases are disposable pens and came at a snip. These are the Pilot Uniball Signo RT1 in blue black (0.38mm) and a Kuretake brush pen. While I love a good fountain pen I do have a special place in my heart for fine gel pens. The Pilot RT1 is a very smooth pen to write with and I really like the blue black tone.  While it’s not going to win prizes with me for uniqueness, it’s a worthwhile everyday pen and I’ve been using it consistently at work ever since I added it to my weekly collection at the expense of all my other pens, which is actually quite an accolade considering how much thought I put into said weekly collection. The image at the top of this post is a sample of how the RT1 writes, very occasionally I have an issue with the ink skipping (as you can see on the word “mean”) but overall the ink is consistent. I’ve only doodled and jotted with the Kuretake brush pen so far. I’m actually attending a brush lettering workshop later this month for which I’m hugely excited. I’m planning to keep it safe to use and practice with after I’ve picked up some tips and tricks to produce beautiful brush calligraphy!

On my walk I stumbled across Persephone Books on Lamb’s Conduit Street. Persephone Books is predominantly a publishing house with a bookshop attached, specialising in female writers particularly from the early 20th century. I couldn’t walk out of this shop empty-handed. This book, “Someone at a Distance” by Dorothy Whipple, was recommended to me as featuring a meaty plot and having a very literary style of writing compared to some of the more light-hearted books on offer. I proudly walked out with this under my arm and I’m about to start reading once I finish the current book I’m on (“Confessions of a Sociopath” by M.E.Thomas). I’m looking forward to it because it seems to be different to my usual fictional choices which have recently included “The Goldfinch” by Donna Tartt, “The Unlikely Pilgrimage of Harold Fry” by Rachel Joyce, “A Tale for the Time Being” by Ruth Ozens, “I Know Why The Caged Bird Sings” by Maya Angelou and “A Song for Issy Bradley” by Carys Bray). Persephone Books deserves its own blog post though and I’m popping back soon to meet the staff at Persephone Books to learn more about their publishing style, book selections and future editions.

Have you used any of these products? I’d be delighted to hear your reviews.

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