Do you ever look at the stationery you’re using and wonder how it came to be? I do. With this in mind, I recently visited G.F Smith, a paper maker. I had come across G.F Smith online when reading about various paper projects so when I saw that they have a space you can visit and a gorgeous paper art installation, I popped over one lunchtime to visit this Great British company.
In November last year I entered a competition at the newly-opened Design Museum in London, to win a NotAnotherBill gift subscription. And I won! Three months of complementary gifts came in the post, and today I’m reviewing what I received. Also, for the first time on The London Parchment I’m hosting a giveaway, to pay my luck forward that I had when I won this gift subscription.
Field Notes have just released the new Utility edition so our favourite brand are fresh on our minds. In the spirit of Field Notes season, I’m starting a mini-series, which will cover my favourite editions, and my not-so-favourites, as well as some of the ways that I’ve used some of my Field Notes in the past. I’m starting on a high with my favourite Field Notes edition: Shenandoah, the Fall 2015 COLORS edition.
After a somewhat extended break from blogging following several weeks of working abroad and holidaying, I am back to London Parchment-ing. I arrived back from Singapore last Sunday and one of my first crafty tasks was to make some homemade Christmas cards. I thought I’d share them, and chat about the materials I used to make these little cards.
I have been lucky enough to receive both of WritePads limited edition packs of notebooks in my monthly Pocket Notebooks subscription box; the Lenore edition and the newly released Kindred Spirit. Today I’m compiling my thoughts on the Lenore and my initial impressions of the Kindred Spirit.
I am thinking of starting a series on my stationery constants. I have already discussed one of them this year (the Hightide pen roll that I jointly reviewed with Jenny @ The Finer Point). Another 2016 stationery constant has been that patient companion, the Hobonichi Techo.
I work very close to London’s South Bank and I like to go walking during my lunch hour. Southwark, although it may not appear so on first glance, is such a historic area of London with so many hidden treats around every corner. I love walking around this area using my own sense of direction rather than relying on Google Maps and more often than not I will end up on a street I haven’t walked down before. I went to see the Danish Girl recently and was doing a bit of reading about it afterwards and I came across this interview with Eddie Redmayne where he talks about how much he loves this part of London. In fact, about three years ago I actually walked past Eddie Redmayne right outside my office and I started saying the word “Eddie” over and over to my companion. Not cool.
When I head north and west on my lunchtime walks I sometimes happen upon the National Theatre Bookshop and have a nose around. I love the NT Bookshop because it’s full of stationery goodies for all price ranges: they do a great selection of pencils (including Blackwings and Midoris), inserts for Travellers’ Notebooks, Kaweco products, washi tapes, cards, etc. They very often have different stock each time I go.
I popped in earlier in January and they had a small Christmas sale section. I picked up two HAY Bookbinder’s Notebooks which were literally a pound each. I’ve often seen HAY products in department stores or placed in “luxury” stationery sections and I feel it is a fairly aspirational brand. Their products, which span several different uses for the home, look quite functional and aren’t covered in brand names or any other giveaway logo that would catch your eye from a distance.
I’ve been using the small red Portrait Bookbinder’s Notebook as part of my daily tools since the beginning of January. which measures 18cm by 12cm and is sized somewhere in between a Field Notes memo book and a Moleskine ruled cahier.
I love the red of this notebook! It’s somewhere between a red and an orange. In fact, just for fun I had a look at Mac lipsticks to try and find one that matched the specific colour of this notebook. I found the shade and it’s called Lady Danger which I find really appropriate for this colour! One thing I appreciate with “blank slate” notebook covers are that they can always be customised with a bit of washi tape or a sketch.
The bookbinder’s stitching is a dark gold colour and has a slight shine to it. I love the symmetry of the horizontal bind. Internally though I find the bind slightly restrictive because obviously you get over a centimetre’s less paper to write on and as you move through the book the crease becomes more pronounced.
The notebook measures 18cm by 12cm and is sized somewhere in between a Field Notes memo book and a Moleskine cahier. It’s also ever so slightly squarer than other notebooks because of the extra space allocation for the bookbinding.
Overall it’s a good sized notebook. Having started using Field Notes notebooks during autumn last year I have come to appreciate that this is the size I would consider a “pocket notebook”. I wouldn’t place this notebook in the pocket notebook category because it’s just that fraction too large. Also it doesn’t fold over very well to use on the go like a Field Notes. But it is a very soft cover and so quite a malleable notebook in the hand, so if you were using it with something to rest on like a clipboard then it could very well be used for a pocket notebook purpose. I have gravitated towards using it for pocket notebook purposes, such as jotting things down, taking notes on site and making short-term lists, rather than it being one of my “for keeps” notebooks. I’m actually thinking about writing a future blog post about what I define as “pocket notebook purposes” and “for keeps” notebooks because increasingly I categorise notebooks that I buy and try into one of these two categories.
Having done a bit of online research I can’t find any particular claims about the paper used. It becomes apparent why when you start using it. The paper feels quite thin and I feel a slight resistance when I run my fingers over it. The paper is a subtle cream shade similar to the Moleskine ruled cahier and for general writing I think I prefer a slightly shaded paper. I find opening a notebook to find a bright Xerox white slightly strange and offputting for some reason.
The paper is of average quality. It seems pitched towards ballpoints, pencils or fine gel pens but I find it hit and miss with my fountain pens and I don’t think this notebook has been designed with fountain pens in mind. Diamine Sargasso Sea and Claret particularly showed feathering on the page. The paper is also thin enough to demonstrate bleedthrough pretty much with all the pens I tested.
I’m glad I picked this up (especially at such a bargain price) but I probably won’t buy it again to use as an everyday notebook. It’s simple and professional-looking and adds a fun pop of colour on your desk, and performs all the functions of a notebook just fine. In between these purposes I don’t have too much of a space on my desk for the HAY Bookbinder’s Notebook as a repeat purchase. It’s been fun to use and good to try out a brand of stationery that I haven’t used before. Buy this if you’re looking for an everyday notebook for your everyday needs and expect to use mostly ballpoints, gel pens and pencils. When they’re full priced they cost around £4 and also come in a medium and large size in a range of bright or subtle colours.
I am always curious how people use their notebooks, journals, sketchbooks, scrapbooks, files, etcetera. I carry a notebook around with me wherever I go in addition to my daily diary (this year it has been the gorgeous Frankie Diary) to capture thoughts, jot down ideas, make lists, note words and passages and generally write down anything and everything that springs to mind.
It is all too often I turn a page and forget look back at what I’ve written down to remember. Last week I finished using my Moleskine ruled cahier and now is the time to reflect on my note taking over the course of its use between July and September this year.
Sometimes I think my true calling is lexicology. I love words, their meanings and context, their applicability and purpose, their romanticism and function. One of my new year’s resolutions for 2015 was to read a book per week and surprisingly I have mostly managed to stick with this. As with any resolution, some nights I am awake until the wee hours and plough through three a week, and others lure me into a lull over a few weeks. Some of my favourite books this year have been “Norwegian Wood” by Haruki Murakami, “Captain Corelli’s Mandolin” by Louis de Bernieres (yes yes I know I am late to the party on this one), “A Tale for the Time Being” by Ruth Ozens and “I Know Why The Caged Bird Sings” by Maya Angelou. One of the most wonderful aspects of reading is all the new words that become part of my vocabulary. Throughout my Moleskine these are the words and their definitions that made an appearance:
Some snippets that I seem to have noted down for no other reason than charm:
+ happy as a clam in high tide
+ a party without cake is just a meeting
+ fridge pickers wear bigger knickers
+ my enemy’s enemy is my friend
+ work smart, not hard
+ express yourself, don’t repress yourself
And sometimes I seem to have been playing games with myself.
I make good use of the “highlight” function on my kindle. Sometimes however I want to write the words and see them immortalised in my ink.
On instagram at some point this year I came across the “happy list” concept and glued a few into my notebook to avoid them floating around in my bag or keeping them tucked in my diary. Happy lists should be looked at, to remind you of all the things you are grateful for.
Things to return to
I’ve clearly asked myself some questions to remind myself to do a bit of reading around the subject or noted down something I want to expand on and put some thought into. Such as:
+ is there a difference between equality and treating everyone the same?
+ de Bono’s thinking caps – which one for when?
+ BBC Radio 4 Woman’s Hour Power List – who is Kath Viner / Camilla Cavendish / Karen Blackett / Zanny Minton Beddoes / Sara Khan?
Overall I have really enjoyed using this notebook, I find the paper handles my fountain pens very well (even my reasonably broad-nibbed Parker 45), and the pages are a good size to write a piece without it spanning across reams of paper. The creamy colour has a pleasing vintage effect, but it does cause some bleed through. I think this notebook has a feel of simple sophistication about it and I will return to using it one day. On my list before that day though are my Tsubame “comfort” notebook mentioned a few blogs earlier and a Calepino number 1 ruled notebook.
Next though are these little beauties. I managed to get some of the new Field Notes limited collection, the Shenandoah edition. This will be my first foray into Field Notes and I have been reading with interest the many views on the notebooks across the stationery blogosphere. They certainly are portable and I love the natural finish of the covers. We shall see! Thanks for your service, Moleskine.