The next couple of weeks will see a break from posts on The London Parchment as I’m off on an adventure. My fiancé and I are off to spend a couple of weeks taking in the springtime Maine countryside, Quebec City, Montreal, New York City and Boston. I’m really looking forward to it!
I’m going to be travelling very light on the stationery front on this trip because I plan on stocking up big time. I’ve already had a few treats delivered to the friends we’re staying with in Boston to pick up tonight when we land! But much more on that after I return. Suffice it to say I’m travelling with a singular everything: my trusty Staedtler Mars Lumograph B grade, my Kaweco Sport F nib with Diamine teal, my Ballograf Chrome Epoca, my Milan eraser, Uni Jetstream and a yellow Muji double ended pen. I’m also bringing my Hobonichi Techo to keep up with journaling, and my Polaroid ZIP because I really want to include a daily photo from this trip. I’ve realised that a daily photo from “normal” life isn’t sustainable with the Techo because it would just become too big over the year. But daily photos during holidays are essential, as I’m sure you’ll agree. Finally this is all topped off by three pocket notebooks full of travel tips that I’ve been amassing for each of the places we’re visiting, all cosied up in leather and elastic in my gorgeous green fauxdori. That’s it! We’ll see what I return with!
If you have any tips, stationery related or otherwise, for any of the places I’m heading to, I’d love to hear them!
Today on The London Parchment I’m venturing into a technology review! I take a lot of photographs on my DSLR cameras and iPhone. I love looking back on them digitally but I wanted to find a way to make them more tangible in my everyday stationery pursuits.Adding them into my scrapbooks, preserving a certain moment in my Hobonichi Techo or giving out as little mementos to friends.
There were two options for doing this:
Saving up my photos to print in batches and add retrospectively to journal entries, my scrapbook, etc.
Buying some kind of photo printer to print pictures out as and when I needed.
There are lots of good, convenient options to batch print photos out there where you can turn up and use a machine or have them sent right to your door. Sometimes on daily deal sites there are super cheap options for doing this if you have a keen eye. I have the patience of a saint to create scrapbook layouts, write letters, make envelopes and various other crafty pursuits but for some reason printing out photos is something I wanted to have the convenience to do right now if I wanted to.
I did a lot of research on the various photo printers out there and I settled on the Polaroid ZIP photo printer (and then started saving my pennies). Polaroid is obviously synonymous with instant photos. I decided on the ZIP for two main reasons:
It prints 2×3 inch photos which is perfect for my needs. It fits in all the notebooks I use from pocket to full-sized A4s, into my Hobonichi Techo, into my Oyster card wallet, into the little see-through pocket of my purse.
The photo paper used is sticky backed! No gluing, washi taping or otherwise adhesion required to add photos into your creations.
Size, look and feel
The ZIP is a little thing. It’s pocket-sized and is very light (I’ve read 186g to be specific) which means you can slip it into your pocket or bag very easily. It feels solid though and I wouldn’t feel worried letting it jumble around with other items in my bag if I took it out with me for a day. There are four colour options for the ZIP and I went for black as I tend to err on the side of black with gadgets, particularly between black and white electronic items.
How it works and how I use the ZIP
It’s been really convenient using the ZIP. I’ve downloaded an app on my iPhone where you have several different options and I always choose the “Edit Print” option to make sure my photo is sized exactly how I want it. Honestly I have not explored the full capability of the Polaroid ZIP iPhone app. There are a multitude of different options for photo editing – filters, collages and even a business card printing option. My main use for the ZIP is to choose the photo I want to print, make sure it looks right with a frame or that it’s properly zoomed to fill the whole frame, and then print it.
Technologically speaking though, I think the cleverest thing about it is that it’s heat-activated (Polaroid call this ZINK, i.e. Zero Ink). This means no ink is ever required and there are no uncertain seconds post-print that you can’t touch the photo for fear of smudges; it’s touchable as soon as it’s printed. Inside the printer there is a chemical reaction which creates your photo image on the paper. I connect my iPhone to the ZIP via Bluetooth which is very reliable – sending a picture to the printer takes about 20 seconds worth of transfer and about 20 seconds of printing.
I don’t think that the ZIP prints photos true to the colour that you see on other screens. I’m listing this as a point all on its own because this could be enough to put someone off buying the ZIP. I find it “flattens” colour, gives a slightly faded look to photos, and the sharpness is slightly compromised. Having said that – I really quite like this effect so I haven’t thought of this as a disbenefit. I find that bright colours come out well on it, especially blues and greens. Darker colours have a more muted tone to them and it is slightly more difficult to make out the contrast between darker colours. For photos that I’m printing from my iPhone, I’m careful of what (if any) filters I apply before printing. The paper is glossy and thick and feels really high-quality. Also I think a good sign is that photos I printed nearly three months ago now look exactly the same as when they were printed. For what it is, I think the ZIP photo quality is good.
I think the main benefit is how speedy and convenient the ZIP makes photo printing. I love the size of the pictures and it really is instant gratification. I would, and do, take the ZIP along with me to many places I go whether it’s for a morning or afternoon, or a weekend visit somewhere.
Also I think it looks really smart. It’s got a really clean, glossy, rounded finish and looks solid. It’s easy to use too, refilling the photo printer is done by sliding the top off the printer, popping the paper in and replacing the top. It’s simple in design – there’s an on/off button and a light which lets you know its connection status, whether its receiving a picture or whether it needs charging. It has the printing slot and a charging slot and that’s it. Another technological point – I love that it charges via micro-USB. The ZIP does come with a charger but most people have a micro-USB lying around whether it’s from using an Android device, Kindle, etc. I always begrudge products that tie you into one particular charger no matter how great the product is because it could ultimately cause you inconvenience. It doesn’t take long to charge either, about half an hour and I get at least 30 prints out of the ZIP.
I buy packets of 3 packs of printer paper at a time (there are 10 per pack) for £15 making the cost of printing a photo 50p. Compared to the batch printing photo option using the ZIP could be considerably more expensive, especially when you take in the initial outlay of buying the ZIP itself and the usual option of photo printing becoming increasingly cheap online the more prints you order in any one session. This cost puts me off the reckless urge to print any old photo out. It does make me consider what I want to print out and use as a keepsake. The printer paper isn’t readily available in shops and you are tied to the Polaroid paper so if you run out you have to be prepared to wait a few days for the next lot of paper to arrive in the post. A risk for the future obviously, as with any gadget and associated accessories, is that Polaroid will retire the photo paper packs that the ZIP uses.
Obviously when I’m taking photos on any camera other than my iPhone I have to transfer pictures to a Bluetooth device. This means I’ve used it mainly for direct iPad or iPhone to ZIP printing and I do end up doing a bit of batch printing when I settle down to transfer photos from my other cameras.
As with all gadgets there are little quirks of using it. When you reload your paper you have to do it a certain way to make sure it all works properly – there’s a blue sheet at the bottom of each paper cartridge which has to be face down and which has to process through the printer each time you reload. It’s not a biggie, just something to bear in mind and something which could potentially catch you out.
As a sidenote, I would recommend that with any gadget you buy that you check its compatibility with the other devices you use. It works perfectly with my iPhone but I’ve heard it’s incompatible with Windows Phones for example. Also, this is my first foray into portable photo printing and I’m expecting it to be my last for a while as it’s not a cheap hobby. I’d love to hear your experiences of other photo printers too.
I’m sure I’m not the first person to point out that the Polaroid ZIP is a nice-to-have and not an essential gadget. Having said that, I’ve so enjoyed having the Polaroid ZIP in my toolbox because it gives me immense satisfaction being able to print out mementos to add to journal entries, scrapbooks, notebooks, to give them to friends. I’ve found it a very reliable device that is well-designed and adds a lot of value to my many interactions with stationery. It makes me so happy being able to print out that perfect shot of my day, however mundane it may be, and have it to look back on – in my Hobonichi Techo particularly, which is evolving as the year continues – using these photos is literally illustrating my life.
If photo printing via more traditional means is for you and you’re not fussed by the kick of instant gratification, then just for this satisfaction alone I would urge you to stick with photo printing. However if you want the flexibility and opportunity to print your own mini-pictures then I think the ZIP is a good choice – it’s built for my uses with its size and sticky backs. Hopefully you can tell that I’ve peppered this post with pictures I’ve printed so that you can judge the photo quality for yourself. If you don’t mind saving your pennies to buy the device and commit to the photo paper packs then I would recommend the ZIP; I’m very glad I invested in it and can see myself using it regularly for a long time to come.
My favourite continent for stationery products is Asia, particularly because of the wonderful Japanese and South Korean products I regularly use. (Shameless plug: I mentioned this during my question and answer session on the Pocket Notebooks blog). The Nataraj HB Marble pencil also hails from Asia but is one of the first Indian products I’ve tried.
I was drawn to this pencil because it was affordable (I picked it up for £1.50 from Choosing Keeping) and a unique, colourful object. I also favour HB wood cased pencils because I mostly use pencils for writing and the occasional drawing.
Look and feel
The Nataraj Marble comes pre-sharpened and is about 7 inches long. It’s eraserless and in place of the usual ferrule and eraser there is a long white tip, ever so slightly glossy. The remainder of the pencil is a delightfully colourful marbled lacquer, blending reds, yellows, pinks, greens and blues. It reminds me of a psychedelic art project or the colourful swirls found in a pool of petrol. A bit of research on the Nataraj Marble indicates that each pencil is actually unique. The most noticeable colours in mine are reds, oranges and yellows but I’ve seen images on the internet with dominant blues, whites and pinks. I think this uniqueness is a nice element to buying this pencil and adds a little bit of surprise particularly if ordering it online.
The Nataraj branding is stamped simply and effectively in black along a single side of the barrel. As I’ve mentioned before I’m not too averse to a printed barcode but those of you among us who are will be pleased to know that there is no barcode and only one barrel side with any printing on. The lovely marble lacquer is the star of the show on the rest of the hexagonal barrel. The Nataraj Marble measures up in width similarly to my trusty Staedtler Mars Lumograph.
I think one of the loveliest things about this pencil though is the colour of the wood casing. It has a natural grain left to see when sharpened and is a great, vibrant pink-red hue. I read on the CW Pencil Enterprise blog that the pencil is made from Indian vetta wood. I can’t find much out there on vetta wood so I’d love to know more if anyone has any information. The Hindustan Pencils website which manufactures the Nataraj brand clearly have a strong sense of corporate social responsibility and only use wood from their own plantations which they replenish to ensure they aren’t deforesting, which is a really admirable statement to make. Anyway – the vetta wood used looks gorgeous in this pencil.
Firstly I would say that the Nataraj Marble is more of a B grade, or possibly even 2B, than the HBs I usually use. It smudges fairly easily and produces a smooth black line. I think this would make it a good pencil for drawing and outlining. It’s also good for writing and doesn’t require sharpening too often – rotating the pencil provides the good sharpness required for writing. When I have sharpened it though it sharpens very well – very smooth with no breakages.
I really like writing with the Nataraj Marble. It’s smooth without blunting too easily although the smudging issue may be something to note if you’re a leftie. There isn’t any scratchiness or strong resistance on the page when writing (although I have to admit sometimes I find a bit of scratchiness quite pleasing). It erases well with my Milan synthetic eraser – which is rapidly becoming my favourite eraser – and can be layered to produce a really black effect.
This has been a really easy and simple review for me to write. The Nataraj Marble looks lovely and unique. I love the lacquer, reddish pink hued woodcasing and the fact that it has no eraser. I find pencil erasers generally rubbish to use a technical term and sometimes I wonder why anyone really bothers adding them! I think it really stands out on my desk and in my pencilcase. I’m also really pleased with the blackness and smoothness of the pencil to write with and I think it may be an even better companion for someone who draws more often with pencils. Be warned if you’re a leftie because of the smudging issue, but otherwise for approximately £1.50 in the UK and even cheaper in the US I would definitely recommend that you add this to your toolbox.
On my recent trip to Amsterdam I discovered the lovely Ballograf Chrome Epoca pen. I had never heard of Ballograf before and I’ve learned a lot about the brand since buying my first product.
Ballograf is a Swedish producer of ballpoint pens and mechanical pencils and is based in Gothenburg – set up in 1945 by a lone Austrian. Apparently Ballograf employ thirty employees but produce four million writing implements a year. That’s 133333.3 pens per employee! Its main market appears to be Scandinavia and western Europe although I haven’t come across this brand during my usual stationery jaunts, neither online nor in person.
Look and feel
This pen features a simple push button mechanism and is refillable with Ballograf refills. Pushing the button has a nice resistance to it which kicks in about halfway down.
The pen has several simple details which really make the look and feel of this writing implement. The pen clip features the Ballgraf symbol, the silver barrel is lined on each hexagonal face, the join between the barrel and the grip section features, very very finely, the words Ballograf Epoca Sweden. I’ve seen a few websites where you can have your Epoca engraved and sure enough, there is a short section of barrel which is waiting for your name. There’s an overriding historical vintage feeling about this pen – like it’s something that hasn’t changed since the 50s – even though it’s brand new and looks brand new. Its design is timeless, simple and honest.
I love the cornflour, lavender blue of the grip section. It’s untextured and has a softly rounded taper towards the end which suits me just fine, and really complements the surrounding silver. It also adds a touch of brightness and femininity to the pen, which is a good contrast against the straight sides of the barrel. The only downside of an untextured grip section might be that it could get uncomfortable writing for long periods of time particularly if, like me, you don’t hold your pen close to the nib or ballpoint.
The ink in my pen is archival blue. I rarely choose a blue ink, particularly with ballpoints as they tend to be a very obvious blue, if that makes any sense. Luckily the pen is refillable: there are medium and fine refills in blue, black, red and green. I don’t find this blue offensive at all though. Apparently early in the brand’s history, the ink used in their Epocas was certified as archival, meaning that it could be used widely for official purposes in Sweden and this increased its popularity in offices.
Ever since reflecting on what I want from a 0.4mm gel pen in this post, I have thought about what I expect from several different stationery items. The things I expect from a ballpoint are a smooth writing experience without any ink stickiness, an ink that writes dry on the page and also no ink skipping – this is a common expectation among all pens for me. I think a stationery mantra everywhere should be “every touch has to leave a mark” because it’s so true among all writing implements for me. Finally I really dislike ballpoints where the refill “wobbles” inside the pen casing. I think you’d have to experience this one to understand what I mean but I think it’s caused when the refill isn’t supported properly by any mechanism inside the pen casing or barrel leaving it free to move depending on the pressure you apply.
So on those expectations. Every touch of the pen leaves a mark! Even the dot of an i. You don’t need to apply much pressure to achieve this. I’ve used this pen in a Word notebook, Rhodia dotpad, Field Notes notebook and my Tsunami Fools notebook and I haven’t experienced any pressure marks on the reverse of pages I’ve written on. I’m not sure I would ever risk a ballpoint pen with my Hobonichi though or on paper any lighter than found in your business as usual notebooks.
This pen gives you a really smooth writing experience even on cheap copy paper and whether you’re writing on a single sheet directly on a hard surface or whether you’re writing in a notebook. This is so important for a ballpoint because I think this is one of the main things that makes them compete with gel and fountain pens. Thankfully there’s no wobble either. There is, very infrequently, a pleasing squeak of ballpoint on paper.
Obviously you can’t post a push button pen. It is comfortable to write with but I personally wouldn’t want to write with a much shorter pen. Overall it comes up at a slightly shorter length than my faithful Uni SXN 150-38 and about a centimetre shorter than my Uni Signo .38. Unless it’s a mini-sized fountain pen, I notice the pen’s length much more with push button ballpoint and gel pens because of the clip – I generally only hold a clipped pen in one position with the clip facing upwards rather than rotating it in my hand if necessary.
I’m really glad I chose the Epoca as my first foray into this brand. Ballograf don’t produce a huge selection of products and are confined to pens and mechanical pencils. I think I’m happy with having this as my Ballograf toolbox addition rather than trying out a range of their other products as I may normally do when discovering a new brand; my impression is their products are likely to perform similarly. In all honesty I think investing in the Epoca and sticking with it without needing to collect the rest of their products is a testament to the brand and pen in this case. It’s timeless in appearance, refillable and writes smoothly and comfortably. It’s also clearly designed to be reliable, apparently each Epoca Chrome will give you 8000m worth of writing. I’d love to know how many Field Notes this equates to!
I am generally shy of ballpoints because I find them to be similar writing experiences whatever the pen is that you’re using. The design, weight and smoothness of the Epoca make for a really enjoyable writing experience. It’s not a standout revelation moment for me with ballpoints, I didn’t expect it to be, but I’ve come away with a product that is unexpectedly high performing, is lovely to look at and use and is a great reflection of a brand I’ve never experienced before. Although four million of them are produced a year I feel it is a unique addition to my toolbox and one that I’m going to keep in my regular collection for the near future.
I can’t find many UK retailers of Ballgraf products but if you’re interested in buying one I suggest you do a bit of googling and find a retailer which suits your requirement best. I bought mine at Like Stationery in Amsterdam where there were a few different colour options including one with a pale pink grip section, and a gold version with a black grip section.